This will need to pass the signal directly through without any filters applied. Start your plugin and click the Connect button.Ĭhoose a specific preset to use. As a safety precaution, we therefore suggest that you disconnect power amplification when setting up for analog recording. This is because the master volume on the miniDSP will be set to 0 dB, which will be very loud if power amplification is connected and turned on. That is, you can not connect a phono cartridge directly to the input of a miniDSP processor.Īs suggested by the diagram, the miniDSP processor should not be connected to a power amplifier or subwoofers while doing analog recording. Note that, if recording vinyl records, you will either need a phono preamp as shown in the diagram, or a turntable that outputs a line level signal. This diagram illustrates a typical connection for analog recording: In this app note, we will demonstrate the use of ocenaudio for recording, as it's very easy to use. You could also try out software designed specifically for the purpose, such as VinylStudio. For examples of the types of processing, see Audacity's Sample workflow for LP digitization. If you are digitizing vinyl or tape, you will likely need to perform various processing steps on the recorded audio. Some examples of free software that runs on both Windows and Mac are ocenaudio, Audacity, and Ardour. We will assume that you have the miniDSP software installed and working already (if not, see the correct User Manual).The miniDSP processor is being used as the ADC (analog-digital convertor) that you will read about if you search for articles about digitizing vinyl or tape.Īudio recording software. One of the miniDSP processors listed above. The name used for a digitized version of an analog recording is a "needle drop." (See (audio).) To make your own, you will need: Finally, we may have rare recordings or releases that we want to ensure remain preserved. It may be for greater convenience – once we have our music in digital form, we can stream it to a miniDSP SHD processor elsewhere on our home network using Roon, for example. This may be to save wear-and-tear on our analog media (vinyl records, tape, or even cassette tapes). While we live in a "digital age" as far as music playback goes, many of us still want to digitize analog signals. MiniDSP Flex (with either miniDSP-2x4-HD or DDRC-24 plugin) This app note is applicable to miniDSP processors that provide their processed outputs over USB, specifically: This is useful for digitizing analog tapes and vinyl records, for example. In this application note, we will show you how to record an analog signal to your computer using a suitable miniDSP processor.
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You could have 500 000 streams, but if your ratio is under 10%, you will never make it on those playlists. Getting on those algorithmic playlists isn’t about how big you are. It also helps Spotify prevent artists paying for streams or using bots to get their streaming numbers up. This must not be under 10% if you want your song to be picked up by an algorithmic playlist. Spotify’s algorithm specifically looks at your Save / Stream ratio. You’ll see this translate into your Daily Mix, Discover Weekly, etc. This is how Spotify’s Algorithm knows if a song is ‘good’ or not.Īs you may know, Spotify also generates “Algorithmic Playlists” based on what you like as a user. What’s important to know is your “Save / Stream ratio”. Meaning either they hit the “heart” button or they simply added your song to their private playlist. Saves: This is how many times your song has been saved by a Spotify user. This is a good metric to see how “catchy” a song is (high stream count / Low listener count = fans are playing your song over and over again!) I can be a huge fan of your song and listen to it on repeat… generating hundreds of streams but I only count as one listener. Listeners: This is how many individual people have listened to your song. But remember, depending on your distributor, you will get paid at least 3 months later. Or, find out more about how much Spotify pays for artists in comparison to other streaming services in this guide to music streaming services. Use our streaming royalties calculator to determine how much you’ll earn from your number of streams. This will also give you an idea of your income. A stream counts as when someone has listened to your song for over 30 seconds. Streams: This is how many times a song has been ‘streamed’. What is the difference between Streams, Saves and Listeners? What should you pay attention to? How do they relate? Here we go: There is your answer! Without Spotify for Artists you would never have known. You might think it’s “Track 2”, which is your favorite… But “Track 5” is getting the most streams and saves. Understanding this information is crucial for your career!įor example: You released an Album or EP and now you’re wondering which song you should make a video for. How many streams, what playlists each song is on, how many ‘Saves’ a song has etc… Here is where you’ll access all of the information and analytics for all of your music. This is one of the most important pages on Spotify for Artists. We’re here to help so get in touch with our music promotion team and let’s see what we can do! Your Music Keep in mind you can only submit one release at a time and it is of the utmost importance to set a release date far enough in advance to even be considered.Īt Мusic Gateway we work closely with you to get you placements on these curated playlists as well as other playlists that will grow your streams and fanbase. You can pitch to these Spotify curated playlists, but they are accessible ONLY through the Spotify for Artist platform. I often get asked how to get placed on Spotify’s curated playlists besides being discovered by a Spotify employee. You have probably already done your research on how to get your music on playlists and it’s not easy. These are the major playlist such as Rap Caviar (13 million followers), Hot Country (6 million followers), Viva Latino (10 million followers)… Some artists have launched their career thanks to one placement on one of Spotify’s curated playlist! If you have an upcoming release, this is where Spotify will remind you to submit your song for Spotify Curated Playlists. You can see your top three songs, what playlist you are on and a quick seven day recap of your Streams, Listeners and Followers… More information about the differences between Listeners, followers and streams later on, but now let’s focus on the other benefits of the Home page. The Spotify For Artists home page is a perfect recap of how your artist spotify page is doing. In addition, you get to learn the music category you love listening to, whether blues, RNBs, soft or hard rock. For example, your favorite artists and music taste. Your music listening history on Spotify can tell you a lot about yourself, things you probably have never discovered. Supports artists: the owners of the songs that people get to listen to are paid. Getting your dream achievable feels satisfying plus such events will earn hosts some pennies. Some people wish they could get to host big events. Motivational support: Through Festify, you can create your dream music festival. Use of common browsers: You can access the benefits of using Festify using any standard browser like Google Chrome and Mozilla Firefox except for Internet Explorer. Sharing music experience: Listening to music in itself is a good experience, and socially, you can share the songs you listen to with friends. Using Festify is straightforward: to use Festify, you just need a few simple steps by using your browser to create a new party, and you get issued with a party code, your audience goes to their phone browser and enters the party code, and finally the audience votes for the tracks they would like played. TV mode displays the existing album cover in case there is no fan art available. Artists have fan arts that will automatically appear in the background from Fanart.TV as each artist play. TV mode: Festify has a TV mode designed for your projector, computer, or TV. Admin mode options comprise deleting songs, pausing the player, and skipping. You just require to log in to Festify using the same Spotify account used to create the event. Therefore, you have the power to control Festify using any device or your smartphone. To avoid starting with the same song always, you have the option to shuffle your playlist.Īdmin mode: as the creator of the meaty, it means you are the host or, in other words, the admin. If there are no other songs queued, you can use your Spotify account to add a Fallback playlist when creating a Festify party. Firefox and Google Chrome browsers support playback.īack-up playlists: sometimes, your audience is not in the mood to of adding new songs to your event queue, but Festify got your back on this. Festify will then play only the tracks your audience likes.īased on browser: Festify is entirely browser-based, which allows it to be used anyplace that modern web browsers can be. The track that gets the enormous number of votes gets the number one priority to be played in the event, and other songs follow in that order. You just require a Spotify Premium account and a good internet connection, and there, you have all it takes to get you started on your next big party.įree voting: your audience gets to freely use their smartphones to vote for the songs they like. It is Spotify-powered: Festify uses your Spotify music data where your audience can select from lots of tracks. Of course, creating an event on Festify couldn't be any easier now, or could it? It's super easy to set up: you just need to log in to Festify using your Spotify premium account and enjoy the moments. Tips to Make Your Music Festival a Success.The music that gets the highest votes gets played first, and others follow accordingly. As the band, you are the host, so you send a party code to your guests or share it on social media platforms like Instagram and Twitter to allow the audience to choose which music they want to be played during the event. You just need to have the Spotify application then listen and choose your songs that you can easily download for offline listening by storing them on the Spotify music library. Festify, in turn, uses your Spotify data to build your music festival lineup.įor instance, you are a band, and you wish to create a music festival. Spotify platform allows you to listen to and choose music for your event. Festify is an application powered by Spotify. Spotify application is a digital podcast, video, and music service that allows you to access millions of songs all over the globe. More than 20 Million Players.This game is highly popular! It has more than 20 million players from all over the world.As such, you’ll be obliged to master the tricks used by your opponents to increase your chances of exterminating them. Different Playstyle.Each character will have a unique way to play their game.You can choose to take control of the character, which makes gaming more fun. This is an essential feature since it helps with the continuity of the gameplay. Superb Transition.The game offers a seamless character transition that allows you to move to another character after you die.The more points you accrue, the easier it’ll be for you to upgrade your gameplay, get better weapons, and enhance your shooting techniques. To achieve this, you must shoot them incessantly-ensure that you kill as many as you can!Īlso, you’ll be able to unlock other cool features as you progress with the gameplay. When you join the game, you’ll have equal points! Your primary goal will be to reduce your rival points to zero. In this, you’ll be required to focus on your rival and when you acquire the target, an auto shooting escapade will begin! You’ll be in charge of controlling your character to attack and shoot your rivals.Įven better, the game has a TARGET ACQUIRED feature that further makes the gameplay exciting. When you join the game, you’ll select your character (the player who will represent you in the gameplay). The game superbly easy controls with an auto-fire feature that make gaming quite straightforward. This pocket version ensures that you never miss a single match regardless of your location! Gameplayįrag Pro Shooter is an exceptional game that allows you to face one player in blood-curdling shooting experience. If you’d like to participate in a dynamic and highly charged action game, you should download Frag Pro Shooter for Android. As such, you can be confident that the game will offer unmatched shooter experience that’ll simply revolutionize your gaming experience. Oh BiBi designed this game using high-quality graphics and exceptional sound systems. The first person game challenges you to engage in 1vs.1 duels against fierce opponents from all over the world. This is an amazing shooter action game developed by Oh BiBi. As soon as you have a solid row of Sunflowers, start purchasing Wall-Nuts and place them in the very first column to stall the zombies.As usual, plant a row of Sunflowers at the very back of your lawn.Let me explain how you will be victorious with this simple setup: It sounds like a recipe for success if you ask me! All you will need for this setup is some Sunflowers, The Gatling Pea, and The Wall-Nut. This setup is one of the most simple setups that will require almost no effort from your side. They will cause more damage than The Puff-Shroom and should therefore be utilized. You can also utilize the Fume-Shroom by planting more of them towards the front of your lawn. It is very important to stay attentive to your Puff-Shrooms during your gameplay. These plants do not cost any Sun and will cause damage to a zombie when planted in masses. Fill up every single space in front of The Fume-Shroom with The Puff-Shroom.Place The Fume-Shroom over an entire column more or less two spaces in front of The Sun-Shroom. The Fume-Shroom will cause damage to zombies that are at least four spaces in front of him.Place at least two rows of The Sun-Shroom at the very back of your lawn.You will also be utilizing The Puff-Shroom and The Fume-Shroom in this setup. You will not be receiving any free Sun, therefore the Sun-Shroom will be vital. This plant is extremely important for the night gameplay. The equivalent of The Sunflower is The Sun-Shroom. They are your only line of attack and should be placed in bulk. You must cover as much ground with Peashooters as you can. As you receive more Sun from your backline of Sunflowers, purchase more and more Peashooters and cover each row as you go. Start with the next row and cover it completely with Peashooters. The next step should be done as fast as possible.This is an essential step to this setup, as you will need plenty of Sun to purchase enough Peashooters. Start by covering your entire back row with Sunflowers.This might not seem like much, but believe me, this strategy will surprise you and your opponent! It works as follows: It only makes use of two simple plants: The Sunflower and The Peashooter. This strategy is extremely simple, yet potent. So you want to know if there are setups that can be used to win the ultimate battle against the plant-hungry undead? You have come to the right place! Let me tell you some more about 3 epic setups that you can use to your advantage. Some people create a “Games” directory, to keep games separate from other applications. You don’t have to put your programs in the Applications folder, though: they’ll run from anywhere. Then you can feel free to delete the original DMG file: you don’t need it anymore.When you’re done installing: just click the “Eject” arrow.And you’re done: the Melody Assistant is now installed.Simply drag the application’s icon to your Applications folder.Often these will include the application itself, some form of arrow, and a shortcut to the Applications folder.Double-click the DMG file to open it, and you’ll see a Finder window.dmg installation file from the official link on above Like if you wanna download Melody Assistant for mac from this page, you’ll directly get the. Most Mac OS applications downloaded from outside the App Store come inside a DMG file. Windows : wrong calculation of graphical height of character fonts.Windows / Linux : opening menus or displaying alert boxes could become very slow.macOS: Fixed problem of SoundFont selection in SoftSynth output.SVG Export : fixed some problems of character fonts.Harmony Assistant : User instruments were destroyed when loaded with a different program version.Fixed crash when inserting previous measure repeat symbol failed.Fixed rest insertion in grid drum staves.Display of scroll mode when switching from page mode with mirror mode active.Fixed played notes display in scroll mode without automatic scrolling. Fixed crash when clicking on VSTi module list when empty.Fixed item update problem when importing digital tracks.Ornaments icons display in Dock when dark mode is active.Crash when attempting to resize a windows with a negative size.Non-resizable windows could be unwillingly resized.Low level problem when displaying thin vertical or horizontal lines.Possible crash when inserting a note fails.
FotoMagico's interface resembles iMovie, but has a nice side-by-side before and after view when arranging a slide. Other effects included include one that gives a sense of a camera lens closing (much like the effect used in the iPhone’s camera) and a really spectacular zoom effect which, when used in conjunction with a close up and distance shot of the same scene, can create an amazingly realistic sense of “zooming out” to the distance shot. Moreover, the program makes it possible not only to move the photo around and adjust zoom levels as in the iLife programs, the user can also cause the image to rotate during the effect’s duration, something that can be adjusted using a “wheel” button displayed below the image preview. Unlike in iMovie, which requires the user to toggle the preview to adjust the start and destination of the Ken Burns effect, the before and after views of pan and scan are shown side by side for easy adjustment in FotoMagico. The method of adjusting the effect is also much more intuitive. The pan and scan effect too can be tweaked individually, but without giving up the randomization of the effect on slides that are left untweaked. The impressively intuitive interface allows the user to quickly click on one or multiple transitions and swap them for other effects – some that iMovie has, as well as some unique ones that seem perfect for dealing with photos. That said, FotoMagico’s iPhoto-like ease is combined with more iMovie-like control. Likewise, adding photos was a one step process: there was no need to apply transitions afterwards – they were already added in. Conveniently, FotoMagico provides random pan and scan effects over the photos so that the slideshow can be used immediately and look great, without manually tweaking each photo – much like iPhoto’s default “automatic Ken Burns” effect, as opposed to the iMovie Ken Burns effect. The speed comes at the cost of requiring that everything be rendered later (if you plan to use the slideshow outside of FotoMagico), before the movie can be sent to iDVD, but depending on your workflow, pushing off the entire rendering process until the end of the project may be quite beneficial. When I dropped over 700 photos into the timeline, it was able to pull them into the project briskly (in just a couple of minutes, as opposed to an exponentially longer period of time in iMovie). A few minutes around FotoMagico will disabuse any skeptic of doubts about the matter.įotoMagico’s focus on photos resolves the first issue I described with iMovie. At first, I doubted whether there is an advantage to a program that is more specifically focused than iMovie, but uses a highly similar interface. Anyone who has used Apple’s iLife suite will immediately feel at home – especially those who are use to iMovie HD’s interface, which FotoMagico follows very closely with great results. That might as well be the description of FotoMagico. What has been really needed is a program that is meant to give iMovie-like control, but is oriented specifically to photo slideshow projects. Rendering takes a lot of time as well – both for the initial addition of pan and zoom and the addition of appropriate transitions. That is, unlike watching a real Ken Burns documentary, left without further intervention, iMovie will have the “camera” repeatedly follow the exact same movement on photo after photo like a broken record. In iPhoto one can opt for automatic application of the effect, but doing so disables the ability to customize zooming for individual photos. iPhoto works well, but is not entirely intuitive if one desires really granular control iMovie HD gives plenty of control, but at a price of speed and convenience (Note: at press time Apple had just released iMovie ’08, which will be considered at a later date).īoth programs can batch apply pan and zoom effects for hundreds of photos at once, but it is the exact same effect that is applied to each photo. More recently, I have gotten into the habit of using iMovie directly to render the photos with the Ken Burns effect and transitions, which makes it somewhat easier to tweak settings for individual photos. When I first started doing such projects, I was frequently content to let iPhoto render a slideshow, perhaps exporting it to iMovie to handle the soundtrack and a few other minor details before burning. There are a variety of ways to do this, but most of them give less than perfect results and control or they are too time intensive. A few weeks ago, for example, I was preparing a set of photos for a wedding DVD. In an age of digital photos and easy DVD burning, it is becoming common to take a set of photos and burn them into some form that can be played on a DVD player. These lenses continue to be used to this day, particularly in special effects units. Ultimately “Bausch & Lomb formula” “combined” lens designs incorporated both the “prime” lens and the anamorphic lens in one unit. Chrétien’s Hypergonars proved to have significant optical and operational defects, but Bausch & Lomb, Fox’s prime contractor for the production of these lenses, initially produced an improved “Chrétien-formula” adapter lens design, and subsequently produced a dramatically improved and patented “Bausch & Lomb formula” adapter lens design. Twentieth Century-Fox’s pre-production of The Robe, originally committed to Technicolor Three-Strip origination, was halted so that the film could be changed to a CinemaScope production. Fox further purchased the existing Hypergonars from Chrétien and after some test screenings, Fox gave their go for further widescreen developments, which later became known as CinemaScope. The optical company Bausch & Lomb was asked to produce a prototype anamorophic lens. Herbert Brag then remembered the work by Henri Chrétien. Fox’s research department was advised to find a new projection system at modest cost. However, Spyros Skouras, the head of Twentieth Century-Fox, that technical innovation could help to meet the challenge. In the 1950s, cinema got a new competitor: television. Usually, however, a single optical element of this kind is not sufficient, since the sharp image planes for both the horizontal and vertical planes must both lie in the film plane. Thus the optically generated image is stretched or compressed in one direction relative to the other. The Anamorphic PhotographĪn anamorphic photograph consists of at least three cylindrical lenses, two cylindrical mirrors or a prism system. They represent a Galilean telescope for one of the axes. The recording of an anamorphic image: 1) object to be recorded 2) negative cylindrical lens 3) positive cylindrical lens 4) spherical objective 5) recording film 2) and 3) represent an afocal system, their focal lines are superimposed. The optical system called Hypergonar, which compressed and dilated the image laterally. With the help of an optical system that produces different magnifications in two directions perpendicular to each other, a distorted image is created, which is called anamorphic. Back then, Chrétien employed an optical trick which produced an image twice as wide as those that were being produced with conventional lenses. The basis for CinemaScope was probably formed by the French inventor Henri Chrétien who developed and patented a film process that he called Anamorphoscope in 1926. The film marked the beginning of the modern anamorphic format in both principal photography and movie projection. Like other early CinemaScope films, The Robe was shot with Henri Chrétien’s original Hypergonar anamorphic lenses. On September 16, 1953, American Biblical epic film The Robe premiered, the very first film released in the widescreen process CinemaScope. A set of Master Anamorphics effectively becomes four different anamorphic lens sets, each suitable for different flaring requirements while maintaining the famously distortion-free optical performance.CinemaScope logo from The High and the Mighty (1954). By using the ARRI Master Anamorphic Toolkit, the front and rear glass elements can be exchanged with the regular Master Anamorphic elements in a matter of minutes, since each flare element is pre-aligned in a metal frame. The flare elements can be used individually or in combination to provide the lens with three additional looks for enriched on-set creativity. Each of the nine Master Anamorphic focal lengths has its own specific flare set, comprising easily replaceable front and rear glass elements with a special lens coating that encourages flaring, ghosting and veiling glare. The ARRI Master Anamorphic Flare Sets are highly versatile and economical accessories for the ARRI Master Anamorphic lens series. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.) Filing date Publication date Priority to US39833410P priority Critical Application filed by Individual filed Critical Individual Priority to US13/135,077 priority patent/US20120052930A1/en Publication of US20120052930A1 publication Critical patent/US20120052930A1/en Status Abandoned legal-status Critical Current Links Original Assignee Individual Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.) Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.) Abandoned Application number US13/135,077 Inventor Elliot McGucken Current Assignee (The listed assignees may be inaccurate. Google Patents System and method for the heros journey mythology code of honor video game engine and heros journey code of honor spy games wherein one must fake the enemy's ideology en route to winningĭownload PDF Info Publication number US20120052930A1 US20120052930A1 US13/135,077 US201113135077A US2012052930A1 US 20120052930 A1 US20120052930 A1 US 20120052930A1 US 201113135077 A US201113135077 A US 201113135077A US 2012052930 A1 US2012052930 A1 US 2012052930A1 Authority US United States Prior art keywords honor code game games journey Prior art date Legal status (The legal status is an assumption and is not a legal conclusion. Google Patents US20120052930A1 - System and method for the heros journey mythology code of honor video game engine and heros journey code of honor spy games wherein one must fake the enemy's ideology en route to winning US20120052930A1 - System and method for the heros journey mythology code of honor video game engine and heros journey code of honor spy games wherein one must fake the enemy's ideology en route to winning That's Michael, and I had just this big sh*t-eating grin on my face the entire time. My favorite story to tell is that I got there and it was like, that's Michael Scofield. The first couple of weeks on set, I just couldn't stop smiling. I kind of integrated into the cast really easily. I was expecting a bunch of stinky, sweaty boys. It was the exact opposite of everything that I expected to happen. There are all these guys asking every minute if you're thirsty? Do you need a glass of water? Are you OK? Have you eaten today (Laughs). It was going to be me, with a gun and a bunch of dudes and I was like, 'Am I going to be comfortable?' It turned out that I got there and they were such gentlemen and they were so lovely to me that they made me feel at home right away. I thought this was going to be interesting. Jodi Lyn O'Keefe: Well, I was a little nervous when I first got there, because it's, you know, all men. If it was meant to be, maybe it'll come around again.' And they had one more day of auditions and I went in and got the role, I guess. I don't want to go in there and do a crappy job, because I love this show.' So he said to me, 'OK, well if there's another day, there's another day and if there's not, there's not. I need to take time and prepare with the script. I can't go in today and do this on the same day. I called my manager and I said, 'I can't do it. My audition actually came in the day of, and I didn't want to go in because I didn't want to blow it. I did the audition like a lot of other people did and I was really excited about it because I was a fan of the show already. Jodi Lyn O'Keefe: I had been doing comedies for Fox for a couple of years and so I don't think I was really one of their first thoughts for this role. So how did the role come to you? Did they offer it to you or did you audition or how did that go? Basically, the girl was tormenting our two leads. I was the gal that they turned to who would sort of do anything to get the job done. Jodi Lyn O'Keefe: I was brought on board by the company kind of to step in and clean up a situation that had gotten out of their control. So you came on during Season 3, so can you just talk about how you came on board to the show? |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |